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HENEX  S.  A^DEKSOJJ- 


LIBRARY 

OF  THE 

UNIVERSITY  OF  CALIFORNIA. 

Received       C7^-^ f8g^ 


<iAccession  No.    Vt^"/^  ^     .   Class  No. 


Digitized  by  the  Internet  Archive 

in  2007  with  funding  from 

IVIicrosoft  Corporation 


http://www.archive.org/details/artisticworkgymnOOanderich 


S\5 


RXISTIC 


^RK 


# 


BY 


Henry   S.   Anderson 


of 
Yale  University  Gymnasium 

Anderson   Normal  School 
and 
Chautauqua  School  of  Physical  Education 


<^^:M^r^ 


mri 


EDGAR  S.  AVER- 
NER,  io8  EAST 
SIXTEENTH  ST. 
NEW  YORK,  N.   Y. 


G? 


V 


76-/37 

Copyright,  1895 

By  EDGAR  S.  WERNER 

All  rights  reserved 


PRESS  OF  EDGAR  S.  WERNER,  108  EAST  16TH    STREET,  NEW  YORK. 


Contents. 


PAGE. 

Silver  Wand  Drill 7 

Rings •  •  13 

Single 13 

Double 20 

Barbells ''. 26 

First  Series 26 

Second  Series 35 

Rataplan  Chorus 44 

Hoop  Drill 53 

Bells  and  Wands '76 

Poles 86 

Single 86 

•   Double 91 

Salutes 92 

Short  Salute 92 

Long  Salute 93 

Fancy  Steps 95 

Fancy  Marches 98 

List  of  Music 107 

Artistic  Work  for  Chautauqua  Summer  School  109 


BRAf? 

OF  THB       

UNIVERSITY 

CAUFORH)^ 

Silver  Wand  Drill, 

TWISTING. 


Fig.  I.  (1). 

1.     Step    back    four    times,    right   and   left. 
Twist  wand  down  on  the  stepping  side. 


Artistic  Work. 


Fig.  II.  (2). 

2.     Step    side    four    times,    right    and    left. 
Twist  wand  out  shoulder  high  on  stepping  side. 


Silver  Wand  Drill — Twisting. 


Fig.  III.   (3). 


3.     Step    forward    diagonally    right, 
wand  up  over  head  diagonally  on  right. 


Twist 


10  Artistic  Work. 


4.  Step  forward  diagonally  left.     Twist  wand 
up  over  head  diagonally  on  left.      Same  as  No.  3. 

5.  Step  side  right  and  left  combine,  8  counts. 
Alternate,  twist  same  as  No.  2. 

6.  Step  side  left  and  right  combine,  8  counts. 
Alternate,  twist  same  as  No.  2. 


Silver  Wand  Drill — Twisting. 


11 


Fig.  IV.  (7). 


7.      Combine   front   walk,    right   foot  first,  2 
times.     Twist  wand  down,  walk  side. 


12  Artistic  Work. 


8.  Combine  front  walk,  left  foot  first,  2 
times.  Twist  wand  down,  walk  side.  Same  as 
No.  7. 

9.  Short  combine  No.  1  and  No.  2,  2  times 
right,  twisting  each  side  without  the  step. 

10.  Short  combine  No.  2  and  No.   3,   2  times 
right,  twisting  each  side  without  the  step. 

11.  Long  combine,  Nos.  1,  2  and  3,  once   on 
right  and  then  on  left,  without  step. 


Rings. 

SIN^GLE. 


Fig.  v.  (1). 

1.     Eight  hand  np  and  step  obliquely  to  front, 
touching  right  toe.     Same  left.    Four  counts. 


14 


Artistic  Work. 


Fig.  VI.  (2). 

2.     Eight  hand  np  and  step  obliquely  to   rear, 
touching  right  toe.     Same  left.    Four  counts. 


Rings— single. 


15 


3.     Right  toe  across,  right  arm  across  np,  and 
step.     Same  left.     Four  counts  each. 


16 


Artistic  Worh. 


Fig.  VIII 


4.     Charge  straight  to  right  side,  and  right  arm 
circle  over  head.     Same  left.     Four  counts  each. 


Rings — Single.  1 7 


Fig.  IX.   (5). 

5.     Charge  right,  both  arms  up,  and  alternate. 
Change  ring  to  left  hand  as  feet  close. 


18  Artistic  Work. 


6.  Ring  to  chest  on  1,  arms  out  front  on  2, 
chest  on  3  same  as  1,  down  on  4. 

7.  Ring  out  front  on  1,  arms  rigid,  twist  body 
to  right  on  2,  back  on  3,  down  on  4, 


Ringa — Single.  19 


Fig.  X.  (8). 

8.  Charge  diagonally  forward,  ring  to  chest  on 
1,  kneel  on  2,  ring  over  head  on  3,  back  on  4,  heels 
together. 


DOUBLE. 


Fig.  XL  (1). 


1.  Mark  time,  four  counts.  Take  inside  step 
to  distance.  Touch  outside  toes  and  bring  hand  to 
shoulder,  four  counts.  Touch  inside  toe  and  bring 
hand  to  shoulder,  four  counts. 


Rings— Double. 


21 


Fig.  XII.  (2). 


2.  Face  partners,  rings  to  shoulder  on  1,  out 
on  2,  back  to  shoulder  on  3,  down  on  4.  Change 
ring  to  other  hand  and  repeat,  four  counts. 


Artistic  Work. 


Fig.  XIII.  (3). 


3.  Ring  in  right  hand,  partners  grasp  rings, 
bring  arm  up  and  touch  toe  toward  platform  side. 
Same  other  side.  Both  arms  over  head,  eight 
counts. 


Rings — Double. 


Fig.  XIV.  (4). 


4.  Step  straight  back,  right  foot,  take  twist, 
eight  counts,  arms  straight.  Repeat  with  left  foot 
back,  eight  counts. 


24 


Artistic  Work. 


Fig.  XV.  (5). 


5.  Backs  together  and  hands  to  shoulders  on  1 , 
out  on  2,  back  to  shoulder  on  3,  down  on  4. 


Rings — Double. 


25 


Fig.  XVI.  (6). 


6.  Step  front  with  right  foot,  take  twist,  eight 
counts,  with  arm  rigid.  Same  left  foot.  Front  face ; 
Nos.  1  and  3  will  retain  rings. 


Barbells. 

FIRST    SERIES. 


Fig.  XVII. 

1.  Hands  to  chest  on  1  (elbows  shoulder  high 
and  palms  in). 


Barbells— First  Series. 


27 


Fig.  XVIII. 


Charge  to  right  on  2 ;  back  on  3 ;  down  on  4. 
Same  left  side.      Four  counts  each  side. 


28 


Artistic  Work. 


r  ^ 


Fig.  XIX.  (2). 


2.     Hands  to  chest  on  1   (elbows  at  side  and 
palms  out). 


Barbells— First  Series. 


29 


Fig.  XX. 


Charge  straight  back  on  2 ;  feet  together  on  3 ; 
hands  down  on  4.     Four  counts  on  each  side. 


30  Artistic  Work. 


FiCr.  XXI.   (3). 
3.     Bar  back  of  head  on  shoulders  on  1. 


Barbells— First  Series. 


31 


Fig.  XXII, 


Bend  over  front  on  2 ;  back  on  3  j  down  on  4. 
Four  counts, 


Artistic  Work. 


XXIII. 


4.  Charge  diagonally  to  the  right,  with  left 
hand  reversed,  up  on  1 ;  back  on  2.  Same  left  side. 
Four  counts  each  side. 


Barbells— first  Series.  33 


Fig.  XXIV.  (5). 

5.  Charge  diagonally  to  the  right,  bar  down 
back  of  body,  oblique  on  1 ;  back  on  2.  Right 
hand  low,  left  high.  Same  left.  Four  counts  each 
side. 


34 


Artistic  Work. 


Fig.  XXV.  (6). 


6.  Step  straight  back  with  the  right  foot,  left 
hand  across  body  low,  right  hand  high.  Same  left. 
Four  counts  each  side. 


UNIVERSITY 

miFOJJJ^ 
Barbells— Second  Series.  35 

SECOKD   SERIES. 


Fig.  XXVI.  (1). 

1.  Charge  diagonally  to  the  right  with  bar  up 
oblique,  right  hand  high,  left  hand  low.  Same  left. 
Four  counts  each  side. 


36  Artistic  Work. 


Fig.  XXVII.  (2). 

2.  Charge  to  right  side  with  right  hand  straight 
to  side,  left  flexed  across  body,  elbow  shoulder  high, 
on  1 ;  back  on  2.  Same  left.  Four  counts  each 
side. 


Barbells— Second  Series.  37 


( 

4 

4 

m 

Fig.  XXVIII.   (3). 

3.     Bar  on  floor  front,  arm  flexed,  on  1 ;  bar 
outside  diagonally  to  right,  arm  rigid,  on  2. 


Artistic  Work. 


Fig.  XXIX. 


Charge  out  to  bar  on  3  and  4.  Same  diagonally 
to  left  side,  by  changing  bar  to  left  hand,  right 
hand  on  hip.     Charge  twice  each  side. 


Barbells — Second  Series.  39 


Fig.  XXX.  (4). 
4.     Bar  up  over  head  horizontal  (arms  rigid). 


40 


Artistic  Work. 


Fig.  XXXI. 


Charge  diagonally  to  right,  right  hand  up,  left 
back  of  head  and  flexed  on  1 ;  back  on  2.  Same 
to  left.  Eeturn  with  bar  on  shoulders.  Four 
counts'each  side. 


Barbells — Second  Series.  41 


Fig.  XXXII.   (5). 


5.     Bar  back  of  head  on  shoulders.     Bring  bar 
to  chest  on  1. 


42 


Artistic  Work. 


Fig.  XXXIII. 


Charge  diagonally  to  right,  with  left  end  under 
arm,  on  2 ;  back  to  chest  on  3 ;  bar  on  shoulder  on 
4.     Same  charge  to  left.     Four  counts  each  side. 


Barbells— Second  Series. 


43 


Fig.  XXXIV.  (6). 


6.  Charge  straight  to  right,  right  hand  low, 
left  high,  on  1,  bar  perpendicular  in  front.  Same 
left,  all  from  shoulder.  Return  with  bar  down 
from  front.     Four  counts  each  side. 


Rataplan  Cinorui®. 

MUSIC,    "LA    FILLE    DU   EEGIME2^T." 


Fig.  XXXV.  (1). 


1.  Prelude:  Rataplan  Strike.  On  1,  strike 
the  bells  in  front  below  the  waist;  2,  strike  bells  in 
front  shoulder  high;  3,  strike  bells  over  head; 
4,  bells  at  the  side.  Repeat  this  and  follow  with 
the  Rataplan,  strike  seven  counts;  on  the  eighth 
count  bells  at  the  side. 


Rataplan  Chorus. 


46 


Fig.  XXXVI.   (2). 

2.  Charge  diagonally  to  the  right  and  strike 
both  ends  of  the  bell  on  1 ;  2,  strike  ends,  palms 
down;  3,  both  ends  same  as  first  count;  on  4,  bells 
at  side.  Repeat  this  charge  and  strike  on  left  side. 
Rataplan  seven  counts,  with  arms  flexed  in  front. 


46 


Artistic  Work. 


Fig.  XXXVII.  (3). 

3.  On  1,  down  on  right  knee  and  strike  bells 
three  times,  hands  down;  on  4,  up;  on  5,  rise  on 
toes  and  strike  bells  over  head  three  times ;  bells  at 
side  on  8.  Same  movement,  down  on  left  knee, 
strike  bells  three  times,  hands  down ;  rise  on  toes, 
strike  bells  over  head  three  times;  omit  Rataplan. 


Rataplan  Chorus. 


47 


Fig.  XXXVIII.  (4). 


4.  Eight  foot  diagonally  across  forward  to  the 
left  and  strike  bells  over  the  head  on  1;  on  2, 
shoulder  high;  on  3,  down  in  front;  on  4,  heels 
together,  bells  at  side.  Repeat,  stepping  with  left 
foot  across.  Rataplan  seven  counts,  bells  at  side 
on  8. 


48  Artistic  Work. 


5.  On  1,  charge  directly  to  the  right,  raise  the 
right  arm  shoulder  high,  thumb  end  of  bell  up,  at 
the  same  time  swing  the  left  bell  across  the  front  of 
the  body  and  strike  the  lower  end  of  bell  in  right 
hand;  on  2,  hold  the  left  arm  rigid,  thumb  end  of 
bell  up,  and  flex  the  right  arm,  bringing  the  bell  to 
the  shoulder,  thumb  end  down;  on  3,  strike  with 
the  right  bell ;  on  4,  heels  together,  bells  at  side. 
Repeat  on  left  side,  charging  with  left  foot  and 
raising  left  arm.  Rataplan  seven  counts,  bells  at 
side  on  8. 


Rataplan  Chorus. 


49 


Fig.  XXXIX.  (5), 


50 


Artistic  Work. 


Fig.  XL.   ((i). 

6.  On  1,  take  a  right  face  and  strike  bells 
three  times,  shoulder  high;  on  4,  bells  at  side; 
on  5,  right  face  and  strike  bells  over  head  three 
times;  on  8,  bells  in  position  for  Rataplan. 
Rataplan  seven  counts,  bells  at  side  on  8.  Repeat 
to  face  front. 


Rataplan   Chorus. 


51 


Fig.  XLI.  (7). 

7.  On  1,  charge  directly  to  the  right,  raise 
right  arm  shoulder  high,  take  a  full-arm  sweep 
over  the  head  with  left  bell  and  strike  thumb  ends 
of  bells;  on  2,  take  the  left  bell  back  to  left  side 
and  throw  the  weight  of  the  body  on  left  knee; 
on  3,  throw  the  weight  of  the  body  on  right  knee 
and  strike  bells  same  as  1.  Repeat.  On  the  eighth 
count,  heels  together,  bells  in  position  for  Rataplan. 
Rataplan  seven  counts,  bells  at  side  on  8.  Repeat, 
charging  to  the  left,  and  strike.     Same  as  No.  1. 

^  OF  TH»  ^ 

I  UNIVERSITY  1 


52 


Artistic  Work. 


Fig.  XLIL  (8). 
8.  On  1,  strike  bells  once  in  front;  2,  at  side; 
3, charge  diagonally  to  the  right,right  bell  raised  even 
with  the  head,  left  bell  down  in  line  with  right, 
looking  at  bell  raised;  on  4,  bells  at  side.  On  1, 
strike  bells  once  in  front;  on  2,  bells  at  side; 
on  3,  left  hand  raised,  right  bell  down;  on  4,  posi- 
tion for  Rataplan.  Eataplan  seven  counts,  bells  at 
side  on  8. 


Hoop  Drill. 

Position :  Hoop  on  right  shoulder,  hand  on  hoop 
shoulder  high. 


Fig.  XLIII.  (1,  2). 
FIGURE  1. 

1.  Hoop   down    in   front,    resting    on   floor, 
grasped  with  both  hands. 

2.  Hoop  up  to  divide,  hoop  resting  against 
knees. 


64 


Artistic  Work. 


Fm.  XLIV.  (3,  4). 

3.  Hoop  up  to  frame,  head  in  centre  of  hoop 
until  you  can  look  through. 

4.  Hoop  over  head  horizontal,  and  look  up 


Hoop  Drill. 


55 


Fig.  XLV.   (5,  9). 


0.     Hoop  circling  the  body. 
9.     Archer  on  right,  right  arm  straight  back, 
left  arm  across  body,  look  front.  '' 


56  Artistic  Work. 


6.  Hoop  over  head  horizontal. 

7.  Hoop  back  to  frame. 

8.  Hoop  back  to  divide. 


Hoop  Drill.  67 


10.  Archer  on  left,  left  arm  straight  back,  right 
across  body,  heels  together,  look  front. 

11.  Hoop  back  to  divide. 

12.  Hoop  down  on  floor. 

13.  Hoop  back  to  frame. 

14.  Hoop  back  to  shoulder. 

FIGURE  2. 

1 .     Hoop  down  to  front,  resting  on  floor,  grasped 
with  both  hands,  thumbs  up  and  touching. 


58 


Artistic  Work. 


Fig.  XLVI.  (2,  3). 

2.  Hoop  out  to  right,  arm  extending  and  in 
centre  of  hoop. 

3.  Hoop  at  right  shoulder,  out,  arm  flexed, 
left  arm  at  side. 


Hoop  Drill. 


sr 


4. 


Fig.  XLVII.   (4,15). 
Hoop  up,  grasped  with  both  hands,  arms 


extended  over  head. 


60  Artistic  Worh. 


15.  Posture  on  right;  i.  e.,  charge  diagonally 
forward  to  right,  left  hand  on  hip,  hoop  diagonally 
up,  grasp  with  extended  arm,  look  up  and  hold. 

5.  Flex  left  arm,  bring  hoop  to  position  on 
third  count  on  left  side,  same  as  No.  3. 

6.  Out  to  left,  same  as  No.  2. 

7.  Diagonally  down  to  left,  arm  rigid,  hoop 
six  inches  from  floor. 

8.  Out  to  left,  same  as  No.  6. 

9.  Flex  right  arm,  same  as  No.  5. 

10.  Up,  same  as  No.  4. 

11.  Flex  right  arm,  same  as  No.  3. 

12.  Out  to  right,  shoulder  high. 

13.  Diagonally  down  to  right,  same  as  No.  7. 

14.  Position,  same  as  No.  1. 


Hoop   Drill.  61 


16.     llecover,  with  hoop  oat,  shoulder  high  to 
right. 


Artistic  M^ork. 


Fig.  XLVIII.  (1,  8). 

FIGURE  3. 

1.     Bend  the  body  to  left,  swing  hoop  over  by 
flexing  right  arm  until  you  can  look  through  hoop. 
8.     Position,  down  in  front. 


Hoop  Drill.  63 


2.  Recover,  hoop  out  to  right,  same  as  position 
No.  16  in  Fig.  2. 

3.  Position,  down,  hoop  in  front. 

4.  Hoop  out  to  left,  same  as  No.  16. 

0.  Same  as  No.  1,  but  on  opposite  side. 

6.  Hoop  out  to  left,  same  as  No.  16. 

7.  Hoop  out  to  right,  same  as  No.  16. 


64  Artistic  Work. 


Repeat  through  seven  counts,  and  on  the  eighth 
take  same  posture  as  before,  on  left  side.  On  sig- 
nal recover  to  hoop  divide.  The  hoop  is  held  per- 
pendicularly from  the  body;  hands  in  centre  of 
lower  edge  of  hoop,  which  rests  against  the  knees. 


Hoop  Drill 


65 


Fig.  XLIX.  (1,  13). 

FIGURE  4. 

1.     Turn   body  to  right,  hoop  over  and  hor- 
izontal, look  up. 

13.     Archer  on  right,  charge  forward  on  left 
foot;  look  back. 


66  Artistic  Work. 


2.  Picture  frame  front,  similar  to  divide,  but 
head  in  centre  of  hoop. 

3.  Same  as  No.  1,  but  on  left  side;  look  up. 

4.  Frame,  same  as  No.  2. 

5.  Archer,  on  right,  right  arm  straight  back, 
left  arm  across  body ;  look  front. 

6.  Frame,  same  as  No.  2. 

7.  Archer  on  left;  look  front. 

8.  Frame,  same  as  No.  2. 

9.  Same  as  No.  1,  on  left. 
10.,  Frame,  same  as  No.  2. 

11.  Same  as  No.  3,  on  opposite  side. 

12.  Frame,  same  as  No.  2. 


Hoop  Dritt.  67 


14.  Frame,  same  as  No.  2. 

15.  Archer  on  left,  charge  forward  with  right 
foot;  look  hack  with  charging  archers. 

16.  Eecover,  with  hoop  on  floor  in  front  of  the 
body. 

FIGURE  5. 

1.  Charge  diagonally  to  the  right,  hoop  up  in 
line  with  arms,  rigid. 

2.  Hoop  back  to  floor,  same  as  in  No.  16  in 
Fig.  4. 

3.  Hoop  over  head  horizontal,  same  as  No.  4 
in  Fig.  1. 


Artistic  Work. 


Fig.  L.  (4,  5). 

4.  Bend  body  to  right. 

5.  Hoop  over  head  horizontal,  same  as  No.  3 


Hoop  Drill. 


6.  Bend  body  to  left,  same  as  No.  4. 

7.  Body  straight  up   to  position,  hoop  hor- 
izontal over  head. 

8.  Hoop   on   floor  in  front  of  body,  same  as 
No.  16  in  Fig.  4. 

Repeat  this  on  left  side,  but  on  seventh  count 
kneel  on  left  knee,  hoop  on  right  knee.  Recover 
with  hoop  to  circle  body  and  take  stationary  steps, 
same  as  Nos.  30  and  31  in  fancy  steps;  recover 
with  hoop  down  on  floor  in  front. 


70  Artistic  Work. 


FIGURE  6. 

1.  Charge  left  foot  to  left,  bend  left  knee, 
turn  hip  and  shoulder  to  right;  hoop  turned  to 
right  with  arm  extended,  left  hand  on  hip,  hoop 
six  inches  from  floor  at  side. 

2.  Swing  left  foot  around  back  of  right,  left 
knee  still  bent;  left  face  and  at  the  same  time  swing 
hoop  up,  both  arms  extended  and  inclined  slightly 
back;  look  up. 

3.  Same  as  No.  1. 

4.  Position  same  as  No.  8- in  Fig.  5. 

5.  6,  7,  and  8.     Same  on  left. 


Hoop  Drill. 


71 


Fig.  LI.  (1,  2). 


72 


Artistic  Work. 


Fig.  LII.  (9). 


9.  Repeat.  On  second  eighth  count,  kneel  on 
right  knee  and  point  and  look  toward  left ;  hold ;  re- 
cover to  divide. 


Hoop  Drill. 


73 


Fig.  LIII.  (1,  2). 
FIGURE  7. 

1.  Archer  with  charge  diagonally  right;  look 
back. 

2.  Turn  on  ankles  to  face  diagonally  back 
left;  hoop  swings  in  same  direction,  arms  extended, 
look  through  centre  of  hoop. 


74  Artistic  Work. 


3.  Face  same  as  in  No.  1,  hoop  on  bent  knee. 

4.  Recover  to  divide,  heels  together. 

5.  6,  7,  and  8.   Same  on  left. 

9.  Repeat,  but  charge  diagonally  back,  then 
turn  as  in  No.  2.  This  brings  you  diagonally  from 
left. 

10.  On  second  eighth  count,  kneel  on  right 
knee,  resting  hoop  vertically  on  back  of  neck ;  hold ; 
recover  with  hoop  still  back  of  head,  and  take 
fancy  step,  "Cross-run,  cross-throw,"  to  right. 
Same  to  left,  bringing  heels  together.  Recover  to 
position  with  hoop  somersault.  Take  step  No.  18, 
"Cross-run,  cross-throw,"  infancy  steps. 


Hoop  Drill. 


75 


^p9 

Fig.  LIV.  (9,  10). 


Bells  and  ^Wands. 

COMBINATION   WORK. 

{See  note  at  the  end.) 

GROUP  1. 

BELLS. 

1.  Bells  out  shoulder  high,  palms  up,  jump  to 
side ;  spli^ 

2.  Bells  to  shoulders,  palms  down. 

3.  Bells  out,  same  as  No.  1. 

4.  Position  by  jump,  heels  close,  hands  at  side. 

WANDS. 

1.  Wand  out  to  right,  step  right  foot  to  right. 

2.  Wand  up  over  head,  heels  together. 

3.  Wand  out  to  left,  step  left  foot  to  left. 

4.  Position,  hands  down,  heels  together. 


Bells  and  Wands. 


Fig.  LV.  (1). 


7B  Artistic  Work. 


GROUP  £, 
BELLS. 

1.  Bells  out  shoulder   high,    palms   up,    and 
jump  to  side;  split. 

2.  Strike  bells  over  head,  arms  rigid,  palms  in. 

3.  Bells  out,  same  as  No.  1. 

4.  Position  by  jump,  hands  at  side. 

WAKDS. 

1.  Wand  front,  shoulder  high. 

2.  Wand  to  shoulders. 

3.  Wand  front,  same  as  No.  1. 

4.  Position,  hands  down,  feet  together. 
Stepping  motion  forward  can  be  given,  if  desired. 


Beth  and  Wands. 


79 


80  Artistic   Work. 


GROUP  3. 
BELLS. 

1.  Bells  up  overhead,  palms  in  and  jump. 

2.  Swing  bells  forward  and  down. 

3.  Bells  up,  same  as  No.  1. 

4.  Position,  hands  at  side,  feet  together. 

WANDS. 

1.  Wand  on  chest  and  right  face. 

2.  Thrust  wand  to  front  shoulder  high. 

3.  Wand  to  chest,  same  as  No.  1. 

4.  Wand  down  and  front  face. 


Bells  and  Wands. 


81 


Fig.  LVII.  (3). 


83  Artistic  Work. 


GROUP  4- 

BELLS. 

1.  Arms  flexed,  bells  on  chest. 

2.  Strike  bells  on  floor,  bending  knees. 

3.  Straighten  knees,  arms  flexed. 

4.  Position,  hands  at  side. 

WANDS. 

1.  Eight  face  and  hands  to  chest. 

2.  Thrust  wands  straight  back,   charge  right 
foot  back,  same  direction. 

3.  Heels  together,  wand  to  chest. 

4.  Front  face,  wand  down,  heels  together. 


Bells  and  Wands.  83 


Fig.  LVIII.   (4). 


84  Artistic  Work. 

GROUP  5. 

BELLS. 

1.  Bend  knees  and  place  hands  on  floor. 

2.  Throw  feet  back,  body  extended  back. 

3.  Same  position  as  No.  1. 

4.  Position,  hands  at  side,  and  stand. 

WANDS. 

1.  Flex  arms,  back  of  hands  to  chest. 

2.  Wand  down  in  front. 

3.  Charge  right  foot  obliquely  forward   and 
wand  up  over  head. 

4.  Position  same  as  No.  2. 

Note. — Have  the  class  count  twos,  have  odd 
numbers  take  bells  and  even  numbers  take  wands, 
or  boys  take  bells  and  girls  wands. 


Bells  and  Wands.  ^5 


Fig.   LIX.   (5). 


PoleB. 

SINGLE. 

1.  Pole  in  right  hand.    Bring  right  arm  to  side 
shoulder  high,  left  hand  to  hip  and  return. 

2.  Bring  right  arm  over  head  from  side,  left 
hand  to  hip  and  return. 


Poles. 


87 


Fig.  LX.  (3). 

3.     Swing  right  arm  front  shoulder  high,  place 
left  hand  on  hip  and  return. 


Artistic  Work. 


Fig.  LXI.  (4). 


4.  Flex  right  arm  to  shoulder,  left  hand  on  hip 
on  1;  push  right  arm  up  and  lower  body  on  2; 
straighten  body  and  bring  hand  back  to  shoulder 
and  feet  together  on  3 ;  both  hands  down  on  4. 


Poles. 


Fig.  LXII.   (5). 


5.  Swing  arm  front  on  1 ;  swing  arm  to  side 
and  lower  body  on  2;  swing  back  to  front  and 
straighten  body  and  bring  feet  together  on  3 ;  both 
hands  down  on  4. 


90 


Artistic  Work. 


Fig.  LXIII.   (G). 


6.  Bring  right  arm  to  side  shoulder  high  and 
left  on  hip  on  1 ;  swing  to  rear  on  2  and  charge 
diagonally  rear ;  return  to  side  on  3 ;  both  hands 
down  on  4. 

These  six  figures  are  also  taken  on  the  left  side. 


Poles. 

DOUBLE. 

1.  Eight  arm  shoulder  high  to  side;  at  the 
same  time  touch  right  toe  to  side. 

2.  Same  on  left  side. 

3.  Rise  on  toes  on  1,  back  on  2;  arms  rigid 
over  head  on  3,  down  on  4. 

4.  Right  arm  shoulder  high  on  1,  forward  on 
2,  back  shoulder  high  to  side  on  3,  down  on  4 ; 
at  the  same  time  touch  toe  in  direction  of  hand. 

5.  Same  on  left  side  and  touch  toe. 

6.  With  heels  together,  arm-movements  in 
Nos.  4  and  5  on  both  sides  together. 

7.  With  left  hand  on  hip,  charge  diagonally 
to  the  right,  right  hand  raised  over  head,  four 
counts. 

8.  Same  on  other  side. 

9.  Take  position  as  in  No.  7,  and  take  swaying 
movements,  heels  together  on  8. 

10.  Same  on  left  side ;  bring  hands  to  shoulders. 

11.  Charge  straight  to  right,  with  right  arm 
out  to  side,  left  arm  up  over  head,  four  counts. 

12.  Same  on  other  side. 

13.  Take  kneeling  posture  facing  right. 

14.  Take  kneeling  posture,  facing  left. 
Note. — See  Anderson's  "  Light  Gymnastics  "  for 

illustrations  for  double-poles. 


Salutes. 

Pass  to  guard  iu  seven  counts. 

1.  Half  face  to  left  and  lower  sword.  (See 
Page  177,  Anderson's  "Light  Gymnastics.") 

2.  Elevate  sword. 

3.  Sword  down  in  front  of  body,  with  back  of 
fingers  of  left  hand  on  top  of  sword,  arms  slightly 
curved. 

4.  Swing  sword  up  above  the  head,  arms 
curved. 

5.  Bring  arms  to  position  of  "on  guard." 
(See  arms  in  cut,  page  172,  "  Light  Gymnastics.") 

6.  Bend  the  knees,  lowering  body  about  six 
inches.     (See  legs  in  cut,  "  Light  Gymnastics.") 

7.  Advance  right  foot  front  twice  its  own 
length,  with  a  stamp,  but  keep  the  weight  of  the 
body  more  on  the  left  than  on  the  right  leg. 

Each  of  the  above  positions  is  to  be  held  four 
counts. 

Form  twos  by  chord  or  command,  swords  at 
carry  arms,  take  distance.  (See  Page  17G  "  Light 
Gymnastics.") 

THE    SHORT   SALUTE. 

1.  Half  face  to  the  left,  and  "  sword  down ;  " 
sword  across  the  body  and  grasped  with  the  left 
hand,  arms  straight.  (See  cut,  page  179,  "  Light 
Gymnastics.") 


Salutes.  93 

2.  Swing  sword  above  the  head,  or  "  sword 
up,"  still  grasped  with  both  hands.  (See  cut, 
page  179,  "  Light  Gymnastics.") 

3.  Left  hand  on  hip,  right  hand  just  below 
chin,  sword  perpendicular,  or  "  face  salute." 

4.  Right  hand  across  the  body,  rest  point  of 
sword  on  floor  between  feet,  left  hand  on  hip. 

5.  Step  back  with  left  foot  (heels  on  same 
line),  cross  swords  below  in  front  and  on  the  left 
hand  side,  palms  of  hands  toward  each  other. 

6.  Cross  swords  below  on  right  hand  side, 
palms  toward  each  other.  (The  change  from  5  to  6 
is  made  from  left  to  right,  entirely  with  the  wrist.) 

7.  Cross  swords  above,  or  come  to  ''  on  guard  " 
point  of  swords  the  height  of  the  eye,  palms  toward 
each  other.  (The  change  from  G  to  7  is  made  on 
right  hand  side.) 

8.  "  Face  salute ;  "  bring  the  right  hand  to 
chill,  swing  it  down  to  the  right,  back  to  the  chin, 
"on  guard"  in  centre.  (See  Page  179,  "Light 
Gymnastics.") 

Each  of  the  above  positions  is  to  be  held  four 
counts. 

THE   LONG   SALUTE. 

1.  Heels  together  (preserving  the  right  angle 
position  of  feet),  and  "half  salute"  to  right,  arm 
rigid  and  in  a  line  with  shoulders  and  sword,  back 
of  hand  front. 


94  Artistic  Work. 

2.  Half  salute  to  left,  right  hand  the  height  of 
left  shoulder,  sword  and  shoulder  in  parallel  lines. 

3.  Half  salute  to  the  right  again. 

4.  Face  salute  in  four  counts.  (Same  as  No. 
8  in  Short  Salute,  except  that  here  on  the  4th 
count  the  sword  is  held  in  front  of  the  face.) 

5.  Take  distance,  with  lunge,  by  advancing  the 
right  foot  three  times  its  own  length,  body  erect, 
dropping  sword  across  the  body  to  the  left  and 
pointing  toward  the  floor,  then  extending  rigid  arm 
and  sword  directly  to  the  front.  (Same  direction 
as  right  foot.  Do  not  allow  left  foot  to  turn  over 
in  a  lunge.) 

6.  Sword  back  to  "  face  salute,"  by  dropping 
point  to  floor  and  crossing  body  from  right  to  left; 
at  the  same  time  bring  the  heels  together. 

7.  Eepeat  No.  5. 

8.  Repeat  No.  6. 

9.  Half  salute  to  right. 

10.  Mollinet  to  left  over  head. 

11.  Mollinet  to  right  over  head. 

12.  Face  salute  in  four  counts.    (On  4th  count 
front  face  and  carry  sword.) 

Hold  each  position  four  counts. 
Note. — See  Anderson's   "Light    Gymnastics" 
for  illustrations  for  salutes. 


Fancy  StepQ. 

1.  Touch  left  toe  diagonally  to  left  and  step 
forward.     Same  right.     Mandolin  Polka.   (40  cts.) 

2.  Touch  left  toe  across  right  and  step  for- 
ward.    Same  right.     Mandolin  Polka. 

3.  Touch  left  toe  diagonally  to  left,  then  cross 
and  step,  heels  together  on  four.   Mandolin  Polka. 

4.  Touch  left  toe  diagonally  to  left,  across 
right,  back  again  and  step.     Mandolin  Polka. 

5.  Touch  left  toe  across  right,  back  to  left, 
across  again  and  step.     Mandolin  Polka 

6.  Touch  left  toe  to  left,  across  right,  then  to 
heel  and  hop.     Mandolin  Polka. 

7.  Touch  right  toe  straight  to  the  front  a 
short  step,  then  back,  then  run  three  short  steps, 
starting  with  right  foot.     Eda  Polka.   (50  cts.) 

8.  Touch  right  toe  directly  to  front  as  far  as 
possible,  bend  forward  slightly  and  touch  same  toe 
back  without  bending  the  knee.  Same  left  toe. 
Eda  Polka. 

9.  Cross-walk  on  toes.  Chloris  Schottische. 
(40  cts.) 

10.  Greyhound  step,   waltz  time.       Modjeska 
Waltz.   (60  cts.) 

11.  Touch  right  toe  to  side,  then  in  front,  then 
greyhound  step.     Wang  Waltz.   (75  cts.) 

12.  To  the  rear  on  fourth  and  eighth  counts. 
Chloris  Schottische. 


96  Artistic  Work. 

13.  Change  step.     Mandolin  Polka. 

14.  Touch  toe  forward  and  back,  change  step. 
Mandolin  Polka. 

15.  Follow  step.     S.  0.  V.  March.   (50  cts.) 

16.  Slide  and  balance,  waltz  time.  Breeze  of 
the  Night  Waltz.   (75  cts.) 

17.  Slide  and  balance,  crossing  with  arm  cir- 
cling.    Dove's  Return  Waltz.   (75  cts.) 

18.  Cross-run,  cross-throw.  Dancing  in  the 
Barn.   (40  cts.) 

19.  Grand  right  and  left.  Nineteenth  Century 
March.   (50  cts.) 

20.  Advance  eight  steps,  circle  partner,  join- 
ing inside  hands.  Take  this  step  by  twos.  Evan- 
geline March.   (50  cts.) 

21.  Advance  eight  steps,  circle  partner,  partner 
kneeling.  Take  this  step  by  twos.  Evangeline 
March. 

22.  Company  in  single  file,  advance  four  steps. 
On  fourth  count  No.  1  marks  time,  places  the  right 
hand  over  the  right  shoulder,  takes  left  hand  of 
No.  2,  raises  it  head  high,  leads  No.  2  forward ; 
No.  2  makes  a  complete  circle,  passing  under  the 
hands  and  remains  in  front  of  No.  1.  S.  0.  V. 
March. 

23.  Take  change  step,  starting  with  left,  then 
swing  right  foot  across  front  and  back.  Repeat, 
starting  with  right  foot.  Wilhemina  Schottische. 
(40  cts.) 

24.  Touch   left  toe  diagonally  to   left,    bring 


Fancy  St 


foot  back,  heel  close  to  right  ankle,  foot  extended, 
then  change  step.      Wilhemina  Schottische. 

25.  Hop  on  left  foot,  flex,  straighten,  flex  and 
step  forward.   Same  right  side.    S.  0.  V.  March. 

26.  Evangeline;  marking  time,  heel  and  toe. 
Evangeline  March. 

27.  Step  diagonally  to  left  with  left  foot,  bring 
right  foot  back  of  left;  repeat,  stamp  three 
times.  Same  right;  Ostrich  Song  (Merry  Monarch). 
(50cts.) 

28.  Step  diagonally  to  the  left  with  left  foot, 
bring  right  foot  back  to  left ;  repeat,  hop  diagonally 
in  same  direction  three  times .  High  School  Cadets' 
March.   (40  cts.) 

29.  Touch  left  toe  diagonally  to  left,  bring  right 
across  right  diagonally,  and  take  change  step. 
Same  on  right  side .      High  School  Cadets'  March. 

30.  Front  stationary,  single.  Skirt  Dance. 
(40  cts.) 

31.  Front  stationary,  double .    Skirt  Dance. 

32.  Back  stationary,  single .     Skirt  Dance . 

33.  Back  stationary,  double .    Skirt  Dance . 

34.  Jig  steps  (eight).  Danse  Eccosais.  (60 
cts.) 

35.  Clog  steps  (eight) .      Danse  Eccosais. 
Any  of  the  above  pieces  of  music  will  be  sent 

postpaid  on  receipt  of  the  price.     Address  Edgar 
S.  Werner,  108  East  16th  St.,  New  York. 


Kancy  Marclies. 


NO.    1.    TWELVE   FIGURES. 


X.—  Odd  numbers. 
Y. — Even  numbers. 


\ 
\ 


jn 


\      y 


V^ig-a. 


Cross  centre  from  opposite  corners. 


Fancy  Marches.  99 


C^,  /9 


/ 


/s,Fig.3 


/ 


/  \ 


/ 


\ 


\ 


Return  to  corners  by  crossing  centre  again. 


iO 

\ 

/ 

N 

/ 

\ 

/ 

\ 

/ 

\ 

/ 

> 

<'FigA 

/ 

\         ^ 

/ 
/ 
/ 

\ 
\ 

/ 
/ 

\ 
\ 

Cross  to  centre,  touch  elbows  and  go  to  corners. 


100 


Artistic  Work. 


/ 


/  \ 

/  \ 

'  /  \  . 

'  /  \  « 


^-./ 


\J 


Return  to  centre,  touch  elbows  and  back  to  start- 
ing-point. 


Kg.6. 


i      ^^-i-^       \ 


Come  down  centre  by  twos,  first  couple  to  right, 
second  to  left. 


Fancy  Marches.  101 


-  A 


.V 


/ 


S      N/     /- 


\  \ 


Cross   centre   by   twos  from    opposite  corners. 
See  Fig.  2. 


\  ^ '  / 

/        K         \ 


^        \ 


e        "J 


Return  to  corners  by  twos  by  crossing  centre. 
See  Fig.  3. 


102 


Artistic  Work. 


\ 


/  / 

/  / 

/  / 


))  {(m 


/  / 
/  / 


\  \ 


Cross  to  centre  by  twos,  touch  elbows  and  go  to 
corners.     See  Fig.  4. 


->- 


■^     r 


Rgl" 


Return  down  centre  by  fours  to  opposite  end  of 
room. 


Fancy  Marches. 


103 


O 


Ti&.  It. 


Take  flank  movement,  which  brings  company  to 
single  file. 


Fig.  1%. 


Back  to  original  starting-position. 


104 


Artistic  Work. 


KO.    2.    (  WITH   STEPS  )    SIX   PIGUEES. 


,/ 


A' 


^••% 
^^^f 


Fig.  13.     mikuet  step. 

Lines  cross  centre  and  halt.  1st  and  2nd  section 
left  face ;  3rd  and  4th  section  right  face,  and  take 
left  wheel  around  to  starting-point. 


^i^^no-b-     >4o«t5idc. 


Fig.  14.     step  no.  14. 

Keep  same  facing  position  as  in  Fig.  1,  but  the 
four  outside  take  right  wheel,  while  inside  section 
is  still  making  a  left  wheel,  coming  back  to  start- 
ing-point. 


Fancy  Marches. 


105 


r^    r*- 


A    A 


:& 


-s' 


/^ 


o 
o 
o 
o 
e 
>  0 
«->    » 


Fig.  15.     step  ko.  18. 
Two  lines  march  to  opposite  sides  of  room,  about 
face  and  fancy  step  to  centre  of  room,  taking  fancy- 
step  until  facing,  bringing  shoulders  together  to 
march  to  next  figure. 


Oi 


r'^^r^^^^ 


Fig.  16.     step  no.  26. 
March  by  twos  and  come  to  single  file  by  right 
flank,  which  brings  the  pupils  in  correct  marching 
order.     March   once   around   room,  taking  fancy 
step. 


106 


Artistic  Work. 


Fig.  17.  step  no.  14. 
Take  spiral  march  single  file  to  centre  of  room 
and   return   to   starting-point,  keeping  up   fancy- 
step  until  you  have  reached  starting-point. 


6 

I  V 
Fig.  18.  step  no.  20. 
Form  twos  by  right  flank  and  march  down  cen- 
tre of  room  to  dressing-room ;  take  fancy  step  soon 
as  the  line  has  formed,  twos  from  the  rear  of  the 
room. 


Ivi®t  of  Music, 


Military 
Marching 


Fancy 
Marches 


Rings  and 
Wands  .  . 


Veteran  Battalion  March.   (40cts.) 
Evangeline  March. 
Grand  Festal  March.   (50  cts. ) 
^   Clayton's  Grand  March.   (70  cts.) 
Fresh  Life  March.   (60  cts.) 
Northern  Route  March.   (60  cts.) 
Flower  of  the  Flock  March.   (50  cts.) 

Ohloris  Schottische. 

Travesty  March.   (50  cts.) 

S.  0.  V.  March. 

19th  Century  March. 

High  School  Cadets'  March. 

Wilhemina  Schottische. 

Saratoga  March.   (40  cts.) 

Tobasco  March.   (40  cts.) 

The  Belle  of  Chicago  March.  (40  cts.) 

Manhattan  Beach  March.   (50  cts.) 

2nd  Co.  Gov.  Foot  Guard.   (40  cts.) 

The  Liberty  Bell  March.   (50  cts.) 

The  Lion  Tamer  March.   (40  cts.) 

The  Corcoran  Cadets.   (40  cts.) 

The  Honeymoon  March.   (50  cts.) 

Illusioni  Waltz.   (60  cts.) 
Dove's  Return  Waltz. 
Auf  Wiedersehen  Waltz.   (75  cts.) 
Breeze  of  the  Night  Waltz. 
Gondolier  Waltz.    (50  cts.) 
Sweet  Dream  Waltz.   (50  cts). 
Robin  Hood  Waltz.   (75  cts.) 
Senator  Waltz.   (75  cts.) 


108 


Artistic  1^0?'^. 


Stepping 
and  Sway 
ingMove 
ments  . 


Barbells 


Merry  Monarch  Waltz.   (75cts.) 

Les  Sir6nes'  Waltz.   (75cts.) 

Love's  Dreamland  Waltz,   (75cts.) 

Mia  Bella  Waltz.   (50cts.) 

Modjeska  Waltz. 

Flower  Song.   (oOcts.) 
Fencing  Series,  19th  Century  March. 

Dove's  Return  Waltz. 

Life  in  Paris  Waltz.   (75  cts.) 

Robin  Hood  Waltz. 

Majetta  Waltz.   (60  cts.) 

Hoop  Drill Shepherd  Boy.   (40  cts.) 

This  chorus  has  music 
specially  arranged  for  it, 
which  can  be  procured  of 
Mrs.  H.  S.  Anderson,  New 
Haven,  Conn.,  on  receipt  of 
price.  Price  of  music  for 
Rataplan,  $1.50;  for  Anvil 
Chorus,  50c. ;  Pizzicati 
Chorus,  50c. 

Any  of  the  above  sent  postpaid  on  receipt  of  the 
price.  Address  Edgar  S.  Werner,  108  East  16th 
St.,  New  York. 


Anvil  Chorus. 
Pizzicati  Chorus. 
Rataplan  Chorus. 


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